Anaïs Héraud-Louisadat

Visual artist and Art Therapist

 

Karin Sieg (2021), Decolonizing German and European History at the Museum, University of Michigan Press

On Squat Monument (Nathalie Anguezomo Mba Bikoro and Anaïs Héraud-Louisadat) and its related museum's intervention at Research Workshop on Colonialism in Museum Schöneberg.

About the book:
Decolonizing German and European History at the Museum
examines efforts by European museums to investigate colonialism as part of an unprocessed past, confront its presence, and urge repair. A flurry of exhibitions and the overhaul of numerous large museums in the last decade signal that an emergent colonial memory culture is now reaching broader publics. Exhibitions pose the question of what Europeans owe to those they colonized.
Decolonizing German and European History at the Museum shows how museums can help visitors mourn historic violence and identify the contemporary agents, beneficiaries, victims, survivors, and resisters of colonial presence. At the same time, the book treats the museum as part of the racialized power relations that activists, academics, and artists have long protested against. This book asks whether museums have made the dream of activists, academics, and artists to build equitable futures more acceptable and more durable—or whether in packaging that dream for general audiences they curtail it. Confronting colonial violence, this book argues, pushes Europeans to face the histories of racism and urges them to envision antiracism at the global scale.

Katrin Sieg is Graf Goltz Professor and Director of the BMW Center for German and European Studies at Georgetown University.

University of Michigan Press
Ann Arbor

Museum Tempelhof-Schöneberg (2017), Ausstellungsdokumentation - Forschungswerkstatt: Kolonialgeschichte in Tempelhof und Schöneberg

Catalog of the exhibition Research Workshop on Colonialism in Museum Schöneberg with texts and images of the artistic intervention of Nathalie Anguezomo Mba Bikoro and Anaïs Héraud-Louisadat in the frame of their project Squat Monument.

Noemi Molitor (2016) «Koloniale Musealisierung revisited: Squat Monument besetzt Erinnerung neu», in taz.plan

Noemi Molitor, «Koloniale Musealisierung revisited: Squat Monument besetzt Erinnerung neu», in taz.plan, Jun 2016.

Mba Bikoro, Héraud-Louisadat (2016): "Squat Monument", in Südlink: Körper und Politik

Académie Royale des Beaux-Arts de Liège (2016), «Ritournelle 1 et 2» in ACTUS IV, Editions Académie Royale Des Beaux-Arts de Liège

Asta Kilhman (2015), «Ääniveistoksia», in Turun Sanomat

Petros Konnaris (2015) «Actions and Presence», in New Performance Turku-blog

Johanna Gilje (2015) "SHIFTS - INVESTIGATING SCORE IN PERFORMANCE ART Interview #5", in Month of Performance Art-Berlin Blog

Justyna Olszewska (2014) «"Przyjęcie" w Trafostacji Sztuki», in SZUM

Riika Niemelä (2014) «Kehollisen altistumisen tutkielmia», in Turun Sanomat

Paula Chesley (2014) «NGinPA perfoms», Month of Performance Art Berlin - The Blog

Paula Chesley (2014) «The normative gaze in Performance Art», Month of Performance Art Berlin - The Blog

Tina Mariane Krogh Madsen (2014) «Dealing with Normative Gaze in Performance Art», Month of Performance Art Berlin - The Blog

Louise Trueheart (2014) «Women walking in spider webs», Month of Performance Art Berlin - The Blog

Transmedialein BWPWAP (2013) "Desire", Haus der Kulturen der Welt, Berlin

A. Pickels (2011) «Traversée» in «In Between», Cifas asbl, c/o La Bellone, Bruxelles.

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